In the upstairs photo gallery there was an Ansel Adams exhibit. The point of the exhibit was a demonstration of how Adams created differing versions of images from the same negatives by cropping, dodging and burning. That is not surprising for photographers, but I think it was probably instructive for people not familiar with photo processing techniques. The most dramatic example of Adams' skill was his famous Moonrise, Hernandez, New Mexico print which looked very bland before he darkened the sky and burned in the details of the clouds.
It seems there is always at least one big mistake in the captions that accompany any large exhibit like this Adams show. In this case it involved a portrait of Alfred Stieglitz made by Adams in the late 1930s. The caption correctly stated that Adams made the picture with a Contax I 35mm rangefinder, but then asserted that the image which was about 8x10 was a contact print!
Stieglitz by Adams |
Adams by Weston |
2 comments:
These are all nicely done, especially given what had to be iffy indoor lighting.
I was pleased with the results from the HP5+. My reservations about the film from previous experiences had more to do with my own performance rather than any fault with the film.
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