Industar 61 L/D

We made a trip down to the river so Cate could collect some shells and the dog could run off some energy.  I took along my FED 3 with the Industar 61 L/D lens.  The camera performed well; the lens not so much.
    I cleaned and greased the helical and checked the infinity focus which seemed perfect. There is a little play between the lens and the camera's lens mount, though it doesn't seem enough to be a problem.
    Some of the river shots turned out ok, but the full enlargements don't show the crisp sharpness of my other FED and Industar lenses.  The Industar 61 L/D has a good reputation, but that doesn't seem to have rubbed off on my example.  I may try to find another.

Random Acts of Photography

My FED 3 is bigger and heavier than most of my otheer Soviet cameras; it's about the same in those regards as the Kiev IIa.  While the FED 3 can't be slipped into a pocket like the earlier Barnack-style FEDs and Zorkis, it does have a number of advanced features which makes it an attractive shooter.

The feature that most immediately grabs the attention of the Soviet camera enthusiast will be the ease of loading the FED 3 with a back that removes to allow cassette insertion with no film leader cutting or fussy threading of the film as in the Barnack-style cameras.  There is also a built-in take-up reel which allows easy attachment of the film leader, and it doesn't fall out on the floor when you open the camera as is the case with the Kiev IIa. 
    My FED 3 looks almost new.  The fast-working lever advance snaps smartly back when released.  The relatively quiet shutter works well at all speeds.  The combined viewfinder/rangefinder window is brighter than most of my other old rf cameras.  The weak spot is the focal plane shutter with its cloth curtains, which seem to develop pin holes even more readily than most of the other Soviet film cameras.  A liberal application of black fabric paint will often remedy the situation, but it is prudent to check thoroughly for pinholes prior to any use of the camera.

The interesting light of a Fall morning got me out on the street early with the FED 3 loaded with a roll of Kentmere 100.  I managed to finish off the roll on a zigzagging walk to the First Street Rail Runner station.  Back home, I processed the film with semi-stand development in HC-110.  I was not very impressed with the performance of the Industar 61 lens; it seemed no better to me than any of my other normal Sovent lenses, but the camera performed perfectly so I'll likely get out again soon with it and one of my other lenses.

FED 3

The FED 3 was produced in the Soviet Union from 1962 to 1980. The long production run can be accounted for by the incorporation of a number of design enhancements that were lacking in earlier Leica-copy cameras. In addition to a solid, well-made feel and uncluttered look, the camera by 1964 had a rapid advance lever. There was also a removable back, a fixed take-up spool, and shutter speeds from 1 to 1/500 seconds. A variety of Leica-thread-mount (LTM) normal lenses were supplied with the camera over the years; mine came with an Industar 3.5/50. The viewfinder/rangefinder is reasonably bright, but lacks paralax correction or a bright-line frame. Lateral adjustment of the rangefinder on this camera is done very easily with an adjustment screw from the camera front after the removal of a small cover screw.

While a lot of thought went into the FED 3 design to make it better than its predecessors, there are a couple small feature changes which many users would have liked. A rewind crank would have speeded things up, though that may have been purposefully omitted in the interest of robustness. From a functional standpoint, the omission of strap lugs may be more significant, and that is compounded by a never-ready case with the top section riveted to the back of the case. One way to sling the camera more handily around your neck is to cut around the rivet/snap to separate the back from the rest of the case; there's an illustration at Matt Denton's site of that procedure.

Perhaps the best reason for getting one of the LTM cameras is the availability of some very nice and inexpensive Soviet-era lenses, most of them copies of Leitz and Zeiss designs. I received as a gift from a generous on-line friend the highly regarded 2.8/55 Industar-61. I also obtained a recently-serviced 3.5/35mm Jupiter 12 in trade for my old Dolly Super Sport. The latter wide-angle lens is one of my favorites for 35mm work, and I already had a very nice accessory viewfinder which I had used with my other FSU camera, a Kiev IIa.

I've been impressed with the FED 3's operation in the short time I have worked with it. The film advance is quite smooth and snaps back well. The shutter appears accurate, and it seems somewhat less noisy than earlier models. The camera's controls are easily accessed. Like most of these Soviet era cameras, the FED 3 shutter demands that the shutter be cocked with the film advance prior to setting or changing the shutter speed. I did see small amount of light leakage evident along one edge of the film I put through the camera. According to a note a saw by Rick Oleson, the light may be coming in over the edge of the shutter curtain. I added a little light seal along the shutter curtain channel, but haven't yet tested the effectiveness of that fix. I later learned that an easier fix might just be to put on a lens cap before rewinding the film.

Some examples from the FED 3 fitted with the Jupiter 12 lens:

A copy of the FED 3 Owner's Manual may be viewed on line.

Memory Go 'Round

Around 1950 my parents rented a place at Redondo Beach, south of Seattle. It was really just a little beach-front summer cottage with a fireplace and a wood stove for heat. I could walk across the road to play on the beach when the tide was out. When there were storms, the waves crashed against the wooden bulkheads and sent salt spray into our front yard. On the hills behind the house was a damp, dark forest of firs and alders, and the soggy ravines were full of skunk cabbage, devil's club and thick patches of nettles. Down the road a bit a small, noisy creek ran through a park and into the Sound; huge silvery salmon came up it to spawn, and you could easily catch them by hand. A half mile up the road the other way was a dock and an arcade which ate my nickles and quarters in shooting galleries and pinball machines. There was a merry-go-round beside the arcade with the usual collection of wooden horses and fanciful riding animals; I don't recall seeing it running, and I probably would have been too self-conscious to ride it anyway at the advanced age of ten. Sometimes on weekday evenings, though, when no one was around I would slip under the canvas cover, mount the biggest of the horses and take long rides into the night.

The photo was taken at the State Fair Grounds in Albuquerque with my FED-3 and the Jupiter-12 lens.