Showing posts with label 1:100. Show all posts
Showing posts with label 1:100. Show all posts

Wednesday, July 05, 2023

Theory vs Practice

I had a fresh roll of Arista Edu 100, so I decided to shoot it in my Vivitar Ultra Wide & Slim and process it semi-stand in RO9 (Rodinal) at 1:100 for an hour.  I thought that should give me good control of contrast and tonality.  Wrong.  The pictures were excessively contrasty and the tendency of the vuws to vignette was emphasized.  Here are the best ones from the roll.




The rest had mostly blown out highlights.  I may have not gotten a fair test for my idea behind semi-stand processing.  I'm down to the dregs on my old bottle of RO9 (Rodinal), so there's no telling if the results would have been better with fresh developer.  

Wednesday, July 04, 2018

Close

My mobility has been at a low level for a couple months thanks to a leg injury.  I've made some progress and am hoping for more to get back to where I was.  In the meantime, it seems prudent to get in some practice with photography projects closer to home.







I processed the TMAX 100 with semi-stand development in HC-110 at 1:100 dilution.  The images were a little contrasty, so I think a bit higher dilution would be a good idea.

Thursday, March 09, 2017

Feeding the Panda

TMAX 100 is a film I have often shot in my box cameras, but it has been on back order for quite a long time at the places I usually go to get it.  I had one roll of 120 TMAX left in the refrigerator which I decided to shoot in my Ansco Panda.  I re-rolled the film onto a 620 reel and took a stroll by the Tingley Ponds with the Panda.  I'm wondering now if that was the last roll of this Kodak film that will see the inside of one of my old cameras.



 

The little Panda is my favorite box camera.  I think it would likely find more favor among today's remaining film shooters if it did not require re-rolling 120 film onto 620 reels.  That is not a very difficult or time-consuming process, but it seems enough to discourage a lot of potential users.

At first glance, it is difficult to understand why Ansco would choose a unique Kodak film format for any of its cameras as the company had its own film producing capability.  It seems very likely that the film format selection was tied to the fact that Ansco had merged with the German Agfa company in 1928 and the conglomerate's U.S.-based operations were seized in 1941 by the U.S. government and held as an enemy asset into the 1960s.  So, the decision process at the time of the Panda's appearance in 1946 was under the direction of government-appointed overseers who quite probably had a cozy relationship with Kodak which had many government war production contracts at the time.