I've spent the last week making cyanotype contact prints from old medium format negatives.
I'm using pre-coated cyanotype paper from a couple little packets I picked up in museum gift shops that are usually promoted as a craft project for children. The paper is kind of flimsy, but it makes pretty good images with a couple of minutes exposure on a sunny day. The paper is only sensitive to ultraviolet light, so the sandwich of cardboard backing, paper, negative and plastic cover sheet can be assembled in subdued room light.
I like the small prints, and they don't take up much room in a small house with limited wall and shelf space. I've also enjoyed the process of finding small frames for the prints at local thrift stores. I have tried toning a few prints with green tea to yield a brownish image, but need to work at that a bit more to get the proper contrast.
I last made cyanotypes about twelve years ago. I coated watercolor paper using a two-component cyanotype kit. I was able to make large prints through the use of digital inter-negatives printed on Pictorico overhead transparency material. That whole process gave me a lot of control in making prints, but it requires a good digital printer which I no longer have. Contact printing requires relatively little space and equipment, and I'll probably pursue it further, possibly with other alternative media.
2 comments:
Looks like a Speed Ezel in the last shot!
Yep. Well spotted. I've had it for a long time and don't recall if I ever actually used it for its intended purpose.
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