Endurance

 My recent visits to view the rock art at a couple sites that are part of the Petroglyph National Monument got me to thinking about the production and life span of images.  Indigenous people throughout the world created compelling visual records of important aspects of their cultures which in many cases have endured for thousands of years.  They did so using the simplest of tools along with patience and perseverance.  This petroglyph found at Crow Canyon, for instance, depicts important qualities of Navajo culture including their reflex-recurve bow design which they brought centuries ago from the far North.

By contrast, the millions of images produced daily using our technologically advanced methods and tools have life spans which can mostly be measured in hours, or even less.  Publishing them online or storing them on hard drives enhances longevity only an insignificant amount.  If a lasting impact is a goal, then trading a camera collection for a chisel and hammer would probably be a good choice.

More from Crow Canyon

The Navajo people may have resided in the area of Crow Canyon for several centuries.  They probably left it to move westward around 1700.  By that time, the Spanish had reestablished their control of the area after the suppression of the Pueblo Revolt.  

This hunting scene shows that the Navajo were hunters of big game including elk, bison and big horn sheep.  It seems as if the animals are being driven into a large net to the right.  Long, knee-high nets were used by high desert peoples for trapping jackrabbits.  This is the only example I have seen  of such a large-scale effort.  It is hard to believe that large animals could have been captured in this manner, but the figures that appear to be holding the net seem to be the right scale.

Navajo History

We were pleased recently to have the opportunity to visit the Crow Canyon petroglyph site in northwestern New Mexico.  The twenty-mile dirt road into the site is well maintained to support access to the area's oil and gas wells.  However, it is a long enough journey to discourage casual visitors, and we saw no other people in the morning we spent exploring the canyon.

Crow Canyon is well-known to rock art enthusiasts, and photographs are easy to find on the web.  Most descriptions accompanying the pictures reference the symbolic connections to the Navajo pantheon.  None I have come across, however, take note of the extraordinarily sophisticated technology on display in the rock art panels.

The bows depicted are all examples of the highest order of bow-making expertise, having a reflex, recurve design that implies composite construction with materials including wood, antler, horn, sinew, and hide glue.

It is possible that the Athapaskan ancestors of the Navajo brought their knowledge of reflex and recurve bow design with them as they made their centuries-long migration from the far north.  In the arctic regions of the New World, there were no suitable wooden staves of sufficient length to make single-component self bows, so composite designs were a necessity.  Old World archers also developed radically-reflexed designs for their bows, but the impetus in that case was more oriented toward the functional advantage conferred by a compact form for use by mounted warriors and hunters.  Navajo adoption of a mobile horse culture facilitated by the Spanish invasion may have yielded a similar preference for a compact and powerful bow design.

Specific details of Navajo archery are hard to come by on the web.

• The fundmentals of bow design are well explained in the Wikipedia page about Bow Shapes.
• Bow construction and usage are nicely described at a Czech site in the article, Plains Indians Bows.
• A well-written capsule history of the Navajo people by J. W. Sharp is available at DesertUSA : The Athapaskan Speakers.
• Chris Loendorf at the UofA has done some work on comparing southwest bow types. He suggests that while different Native American groups used recurved bows, it was the Athapaskan people who first brought the design to the southwest. The only web link I have to his work is through a subscription-only site run by Academia.edu, but there is a messaging link there by which he can be contacted.