Cottonwoods in the Rio Grande Bosque
Aspen in the Sandia Mountains
Library Bus Stop
Since my Kodak No.1 Autographic Special is a candidate for making the trip to Chaco Canyon, I thought I ought put in some time with it. One of the hazards of having a large camera collection is not being comfortably familiar with a particular camera for lack of experience. Every old camera has its quirks, and if you don't work with them enough, you find yourself missing shots you should have gotten.
The Tessar lens on the this near-centenarian Kodak is very sharp, and everything works pretty much as it should. Still, one has to know how to properly compensate for the difference between what the viewfinder shows and what gets on the film. It is also important to take into account the limited depth of focus at near distances, and to exercise care in focal distance estimation.
I have a Series-V lens hood and a filter adapter that fits the Special. I have also recently acquired red and yellow filters to use with it. The big 6x9 negatives do a nice job with texture and tonality, and I think the filtration will add some nice darkened tonality to the skies I am likely to encounter as backgrounds to the architectural ruins at Chaco.