Showing posts with label SMC Pentax-M 1.7/50mm. Show all posts
Showing posts with label SMC Pentax-M 1.7/50mm. Show all posts

Tuesday, December 10, 2024

More About Still Life

Still life art (Google)

A work of art that depicts inanimate objects, such as fruit, flowers, or dead game. Still life art can be a celebration of material pleasures, or a reminder of the brevity of human life. The term originated in the Middle Ages and Ancient Greco-Roman art, and became a distinct genre in the late 16th century.

I am mostly happy with the conservative definition offered by Google, and that describes what I am looking for when I search for still life examples.  In practice, though, I take a looser approach beyond the traditional strictures, often looking to express a feeling of stillness.  I have also often here presented pictures of found arrangements which I have identified as belonging to the genre.


Still, I try to stray not too far from the historical approach which implies a composition with a  purposeful arrangement of objects.  The plural is important, I think, as a delineator to establish a difference between still life and macros, close-ups and product shots.  To represent an arrangement, it seems that at least two elements are required. Online photo sharing sites tend to feature offerings which mostly depict isolated items including flowers or other natural or manufactured objects.

Recently, while looking for sources of inspiration I came across a conversation about still life at Rangefinderforum.com which started sixteen years ago and has continued intermittently since then.  The images and words of participants show that nearly all struggle to define the character of their efforts as well as to master the relevant photographic techniques.

Most of my own efforts to create still life compositions have found their way to my Still Life Album at Flickr.

Saturday, December 07, 2024

Bottles

My still life compositions tend toward the minimalistic.  Partly, that is because I don't have anything approaching a studio setting; my setups are done on the fly.  Also, I rely on window light, which changes through the day.

My photography over the years has mostly been a product of discovery during long walks.  With diminished mobility still life seems increasingly appropriate if I want to continue with photography.  So I'm going to try to be somewhat more thoughtful in preparations and execution.

Saturday, October 19, 2019

Color Chemistry

I've been using the Unicolor C-41 kit from Freestyle for quite a while and have been very satisfied with it.  When I went to order a new supply, however, I found it was on back order.  So, I decided to give the CineStill kit a try.  The price was not much different and the instructions for use seemed very similar to those of Unicolor.  The CineStill liquid components are quite a bit easier to mix.  The results seemed very similar to what I was used to with the Unicolor product.







In addition to the somewhat easier preparation of the liquid components, the CineStill kit includes some useful information on push/pull processing and variable temperature development.  The information packet also suggests that developing time should be increased by 2% for each roll of film developed.  With that in mind I've made myself a little developing time chart to follow as I use the kit.  I've been able to get quite a few more uses from the Unicolor kit than is recommended, so I'll be interested in seeing if the CineStill kit performs as well in that regard.

I see in visiting the CineStill site now that the C-41 kit is now on backorder there as well as at the Freestyle site, and the Unicolor kit is presently unavailable as well.  A bit of a mystery.