The Kodak Reflex II was the company's top-of-the-line twin-lens camera,
appearing soon after WWII and incorporating many advances and
innovations in design and construction. Both the taking and viewing
lenses are sharp 4-element Anastars with Kodak's "Lumenized"
anti-reflective coating. The big viewing lens, coupled with the
viewscreen and a fresnel intensifier provides an exceptionally bright
viewing image. The shuttered red window on the back is used only to
position the first frame; after that the camera automatically handles
frame spacing and counting. The Flash Kodamatic shutter features speeds
from 1/2 to 1/300 seconds, plus T and B; it is cocked with an upswing
of the release lever. Focusing is accomplished by turning either of the
lenses which are coupled by external gear rings. The Reflex II is very
solidly constructed with excellent materials and craftsmanship evident
throughout.
To use the camera today, one needs to take into account the fact
that it was designed around Kodak's 620 film format which is no longer
available. My initial answer to that was to use 120 film with the spool
ends trimmed down flush with the paper backing, which allows the film
cartridge to fit into the camera. It is a tight fit, so it will be
helpful for those using this method to unspool enough of the paper
backing to allow the takeup spool to get a good grip before trying to
push the cartridge into the feed side. Once in place, the film should
move through the camera smoothly. More recently, I have begun
re-rolling 120 film onto the old metal 620 spools, and this does smooth
the film advance. Either way, there is some irregularity in the frame
spacing, which may be the result of thinner backing paper on modern roll
films. One easy solution to that is to just use the red window rather
than depending on the camera's auto-frame spacing mechanism.
For those accustomed to other TLR cameras like the Rollei or the
Yashicamat, the Kodak will take a little getting used to. Once the
routines of film advance, shutter cocking and focusing have been
practiced a bit, however, the Reflex II is about as fast and easy as any
other similar camera. Even with the relatively bright viewing screen, I
find I generally like to focus precisely using the flip-up magnifier
lens. A cable release can also be helpful when shooting at slow speeds.
My camera came to me in quite good shape for its age, but did require
some cleaning of lenses, view screen and shutter. Shutter and lens
access is actually somewhat easier than on many other TLR cameras, but
it was also a big help to have Rick Oleson's exploded-view drawing in getting things apart and back together again. Another excellent resource for Reflex II restoration is the berndtmn camera repair page on Flickr.
Below are some sample images from the camera:
Operating Instructions are at the Butkus site.
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