What I found was that I could make exposures two or three stops below what my meter recommended and still get good color. However, the images resulting from such low light conditions allowed very limited enlargement. Beyond about a 600-pixel width the grain starts to resemble baseballs. Going in the other direction, though, both the color and the grain structure held up well past the film's rated sunny day limit.
Part of my inspiration to use the Fuji 400 film came from seeing some recent work in the Flickr vuws group by a fellow who calls himself UkrainianSensation.. His picture of the Golden Gate is really an extraordianary example of the capabilities of the little ultra wide.
2 comments:
I like to shoot ISO 400 color film in my 35mm point-and-shoots. It's about the only time I want to use ISO 400 color film, as in my SLRs I tend toward ISO 200 and 100. But those P&Ss seem to be optimized for 400.
I was surprised by the fine grained results in the bright light shots. I'll look forward to playing more with the 400 color.
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