Showing posts with label TMAX dev.. Show all posts
Showing posts with label TMAX dev.. Show all posts

Friday, July 04, 2014

F-16

The Nuclear History Museum has added an F-16 to its aircraft collection. 


It seemed a good excuse to exercise my Kodak Monitor 620.  I had neglected the camera for some time and decided that it was time to rectify that.  I adjusted the infinity focus on the camera, and I restored the 620 film carrier which I had previously removed in an ill-conceived effort to force it to use 120 film.  


It is hard to believe that the F-16 is already a forty-year-old design.  Maybe it's just me.


wikipedia

Monday, May 05, 2014

Four elements in three groups

The refined design of the Flash Bantam makes it a pleasure to shoot.  The image quality, however, has to be attributed primarily to the Anastar lens, Kodak's version of the Tessar.

from: Kodak Lenses, Shutters and Portra Lenses - 1952

These shots are from a roll of Tri-X shot at ASA 200 and processed in Kodak TMAX developer at the 1+4 dilution.  






Sunday, October 03, 2010

Working at Home

geranium with fruit


counter clutter


More play than work, I suppose.

My old Epson 2450 scanner still does a reasonably good job with my negatives, but it is really slow. While the scanning arm crawls across the images I usually pass the time by browsing the web. In producing this set of images I came across a nice piece in the NYT Opinion section by Michael Cunningham entitled "Found in Translation".

Cunningham, a novelist, sees himself, his translators and his readers as all sharing a piece of the creative process in similar ways. He also dissects the common delusion that we create primarily for ourselves. In the teaching of writing Cunningham urges his students to write for a specific individual. In his own case, the person he selected for the job was someone he worked with who was a voracious reader, not burdened with constraints of academic opinion. Cunningham wasn't looking for criticism, but rather for an open-minded sensibility that could perceive his intent without prejudice.

It didn't seem from Cunningham's account that he ever explicitly revealed his choice of a muse before writing about it in the Times piece. That is probably a good strategy because there is an obvious pitfall to tailoring the creative product too specifically to a particular set of tastes. I'm thinking in this case of commercial artists who work in portraiture or advertising. Some can maintain creative integrity in the face of editorial and customer pressures, but I think that is much more the exception than the rule.

Sunday, September 26, 2010

Neighborhood Parade




















My Kiev IIa is a 1956 Soviet copy of the Contax II and possibly the best quality rangefinder camera I own. I haven't used it as much as I should as it is a bit bulky compared to some of my other good 35mm cameras.